TSLAC Conservation recently completed treatment on a fascinating travelogue, Our Indian Summer in the Far West. Published in 1880, this book chronicles the adventures of a British family on holiday in Texas and the western United States. The volume highlights two central questions in conservation treatment:
- How do we justify major treatment?
- When is it acceptable to make a major structural change?
Our Indian Summer is visually striking, with the decorative textile and gold-stamped designs typical of a publisher’s binding. It is exceptionally illustrated with 62 original albumen photographs! The original photographs, the item’s unique nature, and researcher interest justified the time required for major treatment.
Unfortunately, the book had serious condition problems, partly resulting from previous rebinding. Many of its pages had cracked and detached. The title page featured a poor-condition Photostat reproduction, and the endsheets were made of acidic, brown kraft paper. It was unclear how much of the book’s original structure remained as a template for the conservation treatment. Accordingly, other copies were studied at the University of Texas Briscoe Center for American History and Baylor University.
From early observations, we presumed that non-original, restrictive side-sewing had caused the pages to crack and detach. However, the same sewing and cracking was observed in the comparison volumes. This indicated that the problematic sewing was likely original. The damaging nature of the original sewing justified making a major structural change: choosing a new sewing pattern.
Before treatment, remaining pages were detached and the volume was scanned for digital access. Then, every page fold in the book was reconstructed with flexible, toned Japanese tissue to allow non-destructive opening. The book was re-sewn through the reconstructed folds on three support cords. Additional steps added bulk to the sewing in order to yield a stable, square book. These steps included using thick thread (12/3), using packed sewing (with extra loops for bulk), and sewing on a thick paper support called a concertina guard.
The Photostat title page was replaced with a color image from the University of Texas volume, printed on dove grey endsheet paper. Toned, canary yellow endsheets, as observed in the comparison volumes, replaced the rough kraft paper. Finally, the text was returned to its original case.
After treatment, structural modification has allowed the volume to function as a book again. The original albumen photographs are secured from ongoing damage and will also be available digitally for future researchers.
Thanks: Amie Oliver, Librarian/Curator of Print Materials, Texas Collection, Baylor University; Suzanne Holman, TSLAC Graphics Designer (title page reproduction.)